From Snow White to Iron Man, Star Wars to the Monster’s Inc., there is something for everyone in Disney’s World. The small yet iconic Mickey Mouse has been taking over the well-established characters of the film industry for a while now. Not many of us know the end goal but let me walk you through Walt’s direction that brought back an old trick: Disney+
Prior to his great success—Walt Disney was interested in TV due to its ability to increase the visual appeal of Disney products, and this was the most-influential post-war decision in the American culture, that encompassed the consumer through “total merchandising”. Later, Disney signed an agreement with ABC. The Disneyland tv show elaborated to the economic transformation of the company. In the time span of a year, Disney attracted half of ABC’s ad bills, and ABC had to operate at loss. Disney’s contract with ABC was an opportunity to capitalize on the studio’s library of films.
Disney’s textuality outset was indifferent from the traditional approach it fragmented, propelled and guided the viewer away from the TV episodes, but guided them to a more persuasive text that encouraged further consumption.
Flash forward to 2019— Disney officially owns the following studios (entirely or more than %49 ownership) ESPN, Touchstone Pictures, Marvel, Lucasfilm, A&E, The History Channel, Lifetime. The studio ownerships, film productions, and finally… the transformed TV era plans come back with the birth of online streaming. Disney+ is ready to dominate your screens.
Disney + is set to launch on November 12, 2019. The cost will be $6.99 a month, or $69.99 for a whole year. Can’t we all expect chaos in the Netflix office already? With their monthly price at a double rate, there will be competitive changes to be made. Or not? We shall see. Other streaming services owned by Disney, Hulu and ESPN Plus – will run on the same platform, will likely require separate subscriptions.
Live Action Series
High School Musical: The Musical: The Series (available at launch)
The Mandalorian (available at launch)
Diary of a Female President (launching in year one)
The Falcon and the Winter Soldier (launching in year one)
Loki (launching in year two)
Untitled Cassian Andor Series (launching in year two)
WandaVision (launching in year two)
Animated Series & Shorts
Forky Asks a Question (available at launch)
SparkShorts (available at launch)
Lamp Life (launching in year one)
Monsters at Work (launching in year one)
Star Wars: The Clone Wars (launching in year one)
Marvel’s What If…? (launching in year one)
New deals, new franchises, new streaming outlet… where does it all lead?
Luckily, the end goal remains the same. Walt Disney Corporations is not taking over the world (yet). But they continue to build on the plan to make the theme parks more profitable through TV… ehem, I mean streaming services!
Disney recently made $2 billion investment to its theme parks. The Secret Life of Pets is getting a theme park ride at Universal Hollywood (expected 2020), “Star Wars Galaxy’s Edge” theme park is set to open in 2019, “Guardians of the Galaxy Blast In” comes in 2021.
Disney Corporate must be expecting new profits through its streaming service that will continuously drive fans to the theme parks. It worked in the ’50s, why not now? After all, don’t we all want to live a little magic?
Works Cited/Further Reading
Disneyland (1993) by Christopher Anderson
The following article was first published on Mars’ Hill Newspaper (Vol. 23, Issue 10) under the title of “Captain Marvel”.
Captain Marvel just dropped into the theatres of the earth from the Kree Empire. Mind you, she is from the 90s—so get ready for the nostalgia-packed soundtrack while you watch Brie Larson kick ass!
Since its opening night March 7th, Marvel’s newest release, Captain Marvel, has received a variety of criticism. Some say she is the embodiment of a male prototype in a desirable female body, others claim Carol is the superhero they never knew they needed more of on the silver screen, especially after the debut of Wonder Woman.
The mastermind Kevin Feige, whose vision built the Marvel Studios from ground up (thanks to Iron Man!), spent a budget of $152 million on Captain Marvel’s production and doubled the studio’s profit with a record-breaking $455 million worldwide in its first weekend. This is a grossing more than the totals of any three-day opening of a motion picture this year.
There is a question worth answering: To what does Captain Marvel owe its success?
Unlike Stan Lee’s legacy of comic book inspired continuity, Captain Marvel welcomes newcomers with Carol’s origin story and doubles that with cues about Fury’s past as well. On top of the complexity of his character, the young Samuel L. Jackson is a delight to watch on screen (thanks to the blockbuster’s make-up artists!). Even though Fury is not the tough authority figure we are used to seeing as the leader of the S.H.I.E.L.D., he still plays a crucial role in stirring the storyline, and he is a living reminder that the actor has a huge role in creating a legendary character.
A common criticism and a generalization was that Carol Danvers, and the rest of the female superheroes, were created on the basis of “girl power” and while doing so, the character was still masculinized. Masculinization might be a way to empower female superheroes, but it is definitely not the only way. I see Marvel’s Carol Danvers as a success because as powerful as she is, she is also emotional. She is a woman who is confused about her past, where she stands in a fight, and what she believes is right. Through her journey of self-connection, she navigates her confusion about what she stands for, and she regains her faith in her own strength. She is a powerful embodiment of what women go through today. Brie Larson’s character certainly does not deserve the harsh criticism she received upon the opening weekend.
Captain Marvel is also the Marvel Cinematic Universe’s response to the demands of the public. We are more concerned about diversity than ever in an era that grounds itself on acceptance. Whatever the reason may be, be it for publicity or expanding their audience, the women in Captain Marvel are fully-clothed, colorful, and beautiful yet vulnerable. These are the stepping stones for a long-awaited perception change for Marvel’s cinematic audience, and we are excited and in it for the long haul.
Thank you for your tremendous support over the course of my university journey. I can happily inform you that I am very close to graduating, and I have undertaken a valuable experience while doing so: I am conducting undergraduate research on long-distance relationships. Please take 5 minutes to answer the survey below. (Please see if you are eligible to participate)
Are you currently in a long-distance relationship? Do you communicate with your significant other via online communication methods (email, texting applications, online phone or video calls)?
If you answered “yes” for both of these questions, you might be eligible to contribute to a Communications Theory study conducted by a senior MCOM student. At the end of the survey, you will automatically be entered to a draw to win a $10 Starbucks gift card.
Please note– The answers are anonymous, and your information will not be shared with anyone other than the researcher (myself). Click below to participate:
What does it mean to be a storyteller? My lecturers discussed this a million times over the four years of my undergrad career. I call it a ‘career’ because I have been creating stories ever since I was eight, if not even earlier. Do you mind taking a walk with me through the memory lane? Even though I look like I’d prefer being alone while I do this, I still think I need company today.
I love bedtime stories, and I would use all of my little power to stay awake through those. Luckily, my dad had a million stories to tell. Every time he started a new story, he would reassure me saying that it is a really old tale and he is not making it up, because why would he? I would get mad at him because, after two or three years of hearing a new story every night, I think I was somehow too smart for a six-year-old, and I realized that they all told me the same thing over and over again: “You can explore, but listen to your parents when they warn you, or else you’ll get in trouble”. Oh, and no love interests, mom and dad will save you, there is no prince charming here!
But my dad was a professional. “Dad you are not making this up, right?”, “No, this was absolutely real”. The little black sheepdog always wondered what happened outside the farm. One day he decides to take a long walk, jumps across the fences and explores the endless fields. It suddenly starts getting darker, he is scared, and he hears a pack of big bad wolves howling. They get closer and form a circle around him, the little sheepdog is scared. His parents come and save him, later, getting mad at him a little bit but hugging him tight still. Dad, I miss your stories. I know you didn’t make any of them up.
If you thought my dad was an okay storyteller. Let me tell you about his mom, my grandma. Whatever she tells you, you are ought to believe her. She always had something in her voice that would make you feel like she is pulling you deep into this thought bubble that is inside her two hands. She was a magician playing with her words, and a bit of a witch, I am never sure if her hands are telling the story or casting a spell.
Oddly enough, her story never changed because she only had one. Her mother was adopted, had a very tough childhood but grew older to be a loving mother to my grandma. But this loving mother died too soon. I have seen my grandma pulling out a small photo of her mother from the very last drawer full of tablecloths, that is a part of an 80 some year-old dark brown wooden cabinet. Every time she pulled out the picture, she would blame herself for forgetting what her mother’s face looked like. She says she needs the picture to remember. I bet it hurts.
You remember the stream, dear? — In the old town, it’s by our old home. – How can you not remember? – Well, I’ll take you there when we go. Oh, dear! – It was night time, very late. Maybe after 11 or 12. We had to sail through the river, so mom put me and my sister in a small wooden boat. And she was rowing and rowing. Oh! All of a sudden! – We saw a light from deep down. Oh, it was beautiful. It was shining and so bright that it hurt our eyes. My sister was younger, you know. And mom said to put our heads down. We put our heads down, but I peeked out on the side, mom didn’t see. Oh, it was so beautiful. A woman, she had ginger hair. It was so long. Her hair was like Leipzig silk! She was shining. She swam next to our small boat. Was it ever beautiful? – No, no. She didn’t hurt us or anything.
Then, what happened? We got off the boat and went home, but it was beautiful. I never told mom that I saw it!
But you are not lying? Right? How can you see it in the old town? Like here? Is it true?Maybe, I was dreaming, I don’t know. I was young. (She would shrug off her shoulders and move on with her life at this point, after charming me with the story. It was so cruel because I would think about it all night until I finally fell asleep).
There are things I wish I could remember better lately, and my mind won’t let me. But, can’t we all tell stories? All of the stories I heard, had a bit of those people that touched the narrator. And, no, my great grandma is not made up, but loving and gentle, just like in grandma’s story.
Dogs can talk, and mermaids are real – if only you believe.
Happy Sunday! I hope I am not the only one that directly associates Sunday’s with an early morning light creeping from the nonfunctional blinds, reading and herbal tea (potentially in bed). Doesn’t it sound beautiful? For that reason, I am not one for hating Mondays, weekends just do a good job with calming me down.
Vancouver was supposed to get a major snowfall this morning, but the mother nature must have decided to postpone it, as my iPhone would agree. With the possibilities of getting snow gone, my plans for the day didn’t change: I’ll be reading for an upcoming media criticism project (in various places probably), and I’ll need to take breaks.
Break numero uno, with the courtesy of a hobby of mine: Cooking (and eating). Here are a couple of recipes I have developed, learned, or read online and made my staple. For my college student friends that have no time, I hope this comes as an inspiration.
The “I can’t believe I like salad” Salad
I was introduced to this recipe by a close family member when she came to visit us in Canada, she gets a huge thank you for making me enjoy a salad for the first time.
(OR Pre-packaged greens of choice)
Boiled or canned chickpeas
3 slices of feta cheese
Dressing: ½ lemon, 2 tbsp olive oil
(I personally don’t use the oil as cheese does the job for me)
If you are boiling your own chickpeas: Soak chickpeas in hot water and a dash of salt overnight. Next morning, boil them for about 15-20 minutes and drain the chickpeas. Voila, use them in wraps, salads, or on top of rice.
Put chopped vegetables in a large bowl as your base, put in your chickpeas, and dressing. Mix them all.
Chop 3-4 dates and feta cheese in small pieces, crush the walnuts with your hands, add them on top.
Enjoy, and get ready to say, “I can’t believe I like salad”, now.
Peas and chicken in a pot (Serving: 4)
1 tsp of Powdered ginger
1 tbsp of Salt
1 tbsp of pepper
1 tbsp garlic
2 tbsp Coconut oil
Chopped (3) chicken breasts
Frozen green peas
1-2 tbsp of tomato paste
Put chicken breasts in a pot, add enough water to cover it at the same level. Bring the chopped chicken breasts to boil for about 5 mins, drain the chicken and keep the broth.
Put the chicken, frozen peas, tomato paste and desired amount of broth in the pot. Cook for about 15-20 minutes.
Add coconut oil and spices to the pot. Turn off the heat and let the dish simmer for 5 more minutes.
Moroccan Egg-Fried Couscous (Serving: 2)
Unlike all the other recipes that were subject to trial and error, this one is one that I found online recently and loved it. Give it a try!
1/2 package of couscous
1 cup frozen mix vegetables/or snap peas (or as desired)
1 tbsp coconut oil
1 tbsp curry
1 tbsp chili
1 tbsp garlic
A dash of salt
Boil ½ package of couscous in water for 8 minutes (as if you are making pasta). Drain the couscous.
Take a pan and melt 1 tbsp of coconut oil, add all of your spices now (this is a golden trick that makes the food absorb spices better).
Add the couscous and frozen veggies, fry them until veggies become soft.
Form an empty hole in the middle of the pan, pour your eggs and start mixing them with the rest of the stuff in the pan slowly.
Fry everything until eggs make the couscous look browner.
An ongoing default in the minds of the society we live in today promotes and accepts the image of women as victims of the untold stories. Women who work in different areas of expertise continuously face gender inequality: they are being stepped over in every possible scenario, are verbally and physically abused, and sexually assaulted. Although this is common for women working in every field, many athletes in the sports world encounter sexual assault at its highest, especially those who play in the elite level.
Here is a look at the stories you have never heard, and the ones that you did but moved on with your life:
Mike Tyson, 1991
One of the most scandalous cases was about Mike Tyson, a former American boxer who had the title of the youngest heavyweight boxing champion 1986, raping Desiree Washington, the Miss Black America pageant contestant, in a hotel room in 1991. A day later, Washington reported she was raped by Tyson right after checking into an emergency room at the Methodist Hospital (Indianapolis Monthly, 2017).
The incident took place at a time when America was starting to become conscious about “date rape”. Right before Tyson’s attack, in 1990, America was shaken by the story of Katie Koestner, an 18-year-old college student, who was raped by her date as a freshman in college. At the time, her parents, peers, nor the police believed her, as Koestner describes how date rape was not a thing that was recognized by the society “In 1990, rape was still stranger rape. It was not about people you liked, or you were dating” (BBC, 2016).
Later Koestner’s voice was heard when the Time picked up her article and she was on the cover of the magazine in 1991. Similarly, Tyson’s attack took place right after the incident Koestner went through became publicized. This resulted in the journalistic details of Tyson’s attack becoming a “national sensation” (Indianapolis Monthly).
Cristiano Ronaldo, 2009
Ronaldo’s is a case that had shockingly tepid coverage. According to the Der Spiegel exclusive article, Kathryn Mayorga, a model who worked at the Palms Hotel and Casino in Las Vegas, was invited to party with Ronaldo in his suite. Later that same night in 2009, Mayorga was forced to have sexual intercourse with Ronaldo even though she repeatedly said no. Next morning, she went to get a medical examination and visited the police immediately after the examination (Spiegel, 2017).
However, she couldn’t just go and talk about what had happened to her. Mayorga was forced to sign a settlement deal, provided by Ronaldo’s agency Gestifute, ensuring she would not talk about that day, and as a result, she received a payoff to forget about her accusations. According to the Der Spiegel interview, Mayorga signed the settlement “out of impotence, [and] the inability to stand up to him” (2017).
Just recently, in September 2018, Mayorga found the courage within herself to speak up about the traumatizing incident. Since the very first article that was published on the incident, Ronaldo’s agency Gestifute continuously sought to prevent any media coverage on the case, and later released the following statement “the article is nothing but a piece of journalistic fiction” (Spiegel Online, 2018). The 2018 Spiegel Online Article also gives details on the legal process and mismatching formal investigation responses by Ronaldo both in 2009 and 2018 about the allegations. The case is yet to be resolved.
Larry Nassar, 2015-2018
A far-reaching abuse case in the history of sports, the USA Gymnastics sex abuse scandal, is still a topic that remains on the headlines today. As more survivors find the courage to open up about the scandal, the updates are still inherent. The perpetrator, Larry Nassar, who was a former USA Gymnastics (USAG) physician, sexually abused more than 300 victims, the majority of them being underage (Vox, 2018). The victims included Olympic medalists Aly Raisman, Gabby Douglas, Simone Biles, and McKayla Maroney.
Although the USAG fired and reported Nassar after receiving a testimony of an athlete stating her concern about him in June 2015, an Indianapolis Star investigation reported that “top executives at USAG routinely dismissed sexual abuse allegations against coaches and failed to alert authorities” (IndyStar, 2016). As the Washington Post stated, “the investigation, reported by the Indianapolis Star, found that USA Gymnastics routinely brushed off sexual abuse claims as hearsay, enabling coaches to molest gymnasts as young as 7 for years” (Washington Post, 2016).
The first public statements on the Nassar case were recorded as early as September 2016, however, the incident went viral when McKayla Moraney used her Twitter account as a channel to share her own abuse story. She stated that she was molested by Nassar every time she went for a doctor’s visit since the age of 13, up until her retirement from the sport in 2016 (ESPN). The USAG had Moraney sign a confidentiality agreement to cover up the scandal. In 2017, Moraney broke her silence, filing a lawsuit against Nassar. Later in 2018, Jacob Moore, a male gymnast, filed a different lawsuit against Nassar, stating he was sexually abused and harassed. Jacob Moore’s sister Kamerin Moore was also one of the many victims (CBC, 2018).
Larry Nassar was sentenced up to 175 years of prison when the judge said, “I have just signed your death warrant”, easing the pains of the many victimized women, (and man), for decades (CNN, January 2018).
Notes from The Guardian’s Bryan Graham
A 2017 article written by Bryan Graham, at a time when the Nassar scandal was still fresh, stated that there were numerous sports media coverage and research available to the public in this issue and yet they were still “invisible” (The Guardian). Regardless of the fact that the Nassar scandal was not the first of high-profile sex abuse scandals in the sports world, it involved so many women unlike others such as the Baylor University scandal.
In his article, Graham explored the reason for this visibility issue and discussed whether it is due to the sports media being inadequate, later, stating that this was not the reason at all. Graham claimed, “the most distressing reason of all is that the abuse of women is normalized in our society. The Nassar scandal fits into our framework of how we understand a sport like women’s gymnastics. On some level we expect women to be victimized, so it’s not surprising when they are [victimized]” (The Guardian). As Graham would agree, the problem in this particular case and many others can be seen observing the society we live in today and their faulty understanding of women in sport, the carelessness they might have towards an unpopular sport during non-Olympic years, and the acceptance of the image of women who are bound to be victims.
Upon reflecting over his many articles on the cases of female athlete abuse, I was able to have the chance to connect with The Guardian’s Sports Journalist, Bryan Graham, and do an online interview. When I asked Graham about the common challenges sports journalists face when reporting on the abuse cases, he answered, “In the case of gymnastics, the victims are often under 18 years of age and media access is tightly controlled even for uncontroversial questions or requests such as interviews with athletes” (Graham, 2018). He added that the nature of the situation makes it hard for the survivors to discuss it thoroughly because of the shame and grief associated with the crime.
Moreover, Graham stated his opinion on whether the journalistic coverage of sexual abuse involving superstar players changed the public perception, particularly the Ronaldo case, he said that it was a “yes” to some extent, and added, “Yet I’d say 1) it varies widely on a case-by-case basis and 2) that superstar athletes are far more immune to the negative aftereffects due to the male-dominated nature of the space”. His answer supported that there is often a set of lawyers and agencies that cover up the crime with contracts and money.
A recent Huffington Post UK article made a bold statement saying, “The voice of sport in 2018 moved beyond leaderboards, cup finals and breaking records. We saw a real watershed moment; rather than behaving as a detached and compartmentalized entity, sport offered a voice on issues that intersect at all levels of society” (Gold, 2019). I cannot possibly agree with it as society still seems to be blind towards certain news, and neither can you.
I asked Bryan Graham about the impact of the Me Too and Time’s Up movements in the sporting world, he replied, “I feel the world of sports has, unlike virtually every other major public sphere, not had its #MeToo or #TimesUp moment so far”.
There are other stories yet to be told but the change doesn’t seem so close to the sporting world.
A throwback to hosting my very first interview with the Spartans. Thank you, Kristen, for your genuine responses!
Trinity Western women’s soccer star Kristen Sakaki sits down with Hazal Senkoyuncu to chat about her soccer career, her three years as a Spartan and Mario Kart’s “Rainbow Road.” (November 2018, TWU Spartans)
2018 was my ride or die. It was full of moments that left me in awe, put my capabilities in a trial, overwhelmed me with joy and with its last bit, challenged me with deep sadness as well.
I love the photoblogs because it has always been hard for me to see the small successes. As I looked through these moments, I said to myself, “I did all this?“. Believe me, there were a lot of question marks, not just one.
As always, thanks to the many friends I made along the way.
Tom Hardy’s performance is so powerful in Sony’s Venom that it almost makes you overlook the other half of Eddie Brock (Hardy), the much anticipated, and animated Venom. Hardy’s performance is almost too good! At times it is tough for his character to blend in with the storyline that is running ahead of him.
Moreover, you can tell that Director Ruben Fleischer is meant to work on the film if we reference his previous work with Zombieland (1 and 2), the Gangster Squad. Fleischer takes the film to a different level which I am still uncertain if I really like. Venom is one of the tougher Marvel comics to present on the big screen—Portraying the corky/laid-back (Wait. Deadpool, is that you?) journalist and an alien that acts like He’s from a horror movie housed on the same body –in somewhat of harmony— is tough business.
Venom is definitely different (and better) than your typical superhero action movie. The movie could pass as an intense thriller with numerous slapstick scenes here and there, which resembles Fleischer’s work as a director. Overall, it is a uniquely (take the word as you wish) directed film with an excellent performance from Hardy. I would not have given Venom such a high rating if it wasn’t for the actor’s performance.
Spider-Man: Into the Spider-Verse
The production quality of the Spider-Man: Into the Spider-Verse screams so much more than the movie itself. The visuals are vibrant, captivating, and different in such a good way. Hats off to the animators for showing us guys the comic world through a new set of lenses—What an experience!
The representation of Miles Morales’ ethnicity is genuine and real—The choices of the soundtrack, the family dynamic and the conversations in between the characters deeply represents the world of this new teenager we are all meeting for the first time on screen. There are so many ‘yes!’ moments in the movie: Clever monologues, the representation of Peter Parker as a role model (anyone else notice the difference to the Comic Code?), an appearance of Stan Lee, and the overall message: “Anyone can be Spider-Man”. Beautiful… groundbreaking. I love it.
Why didn’t it get a 10/10 rating from me? I think featuring all the other Spider Marvel characters took the spotlight away from Miles Morales. Yes, MCU—Now that you introduced them, you have material to produce. But, could I have had some more quality screen time with Miles? Yes.
I dreaded writing again today even though the creative Hazal was knocking on the walls of my brain. That is the girl with long wavy hair who wears a nice shade of pastel mint t-shirt and a violet pleated skirt. She is very bubbly and wants to play. She didn’t have any space at all to exist in this fairly large room in me, it’s been occupied with a load of black and white documents. It hasn’t been fun. But it feels great to have a little more space to be me, again. Let’s welcome the creative girl, and let her tell you why she has been so happy and excited the past few days…
I found myself sitting in a car, being driven to Seattle, WA, for no reason that involves me directly. I will not get into any detail on that. However, because of this trip, I was looking for Christmassy things to do while we were there and came across the annual Seattle Winterfest. Set the GPS, and here we went. The Winterfest as a whole was nothing fancy, all I saw was—a very talented orchestra of high school students playing festive songs and a small indoor skating facility. I was not impressed by what they called a festival as a whole, but the building right across this festival was the MoPOP, meaning the Museum of Popular Culture.
Let me tell you how excited I felt purchasing my ticket (with an additional charge of $5 to see the Marvel Exhibition), and what a treasure this place was for a Media and Communications student to spend not only 3 hours (as I did), but a whole day (as I wished I did).
Looking from the outside, the maroon-purple building is compelling and makes you wonder what could actually be inside. Is it a circus? A venue? That is practically how I ended up walking in without reading any signs at all. Later, I found out that the riveting building was designed by the one and only Frank O. Gehry. Entering in, I quickly realize I was meant to be here. The 80s pop music, the minimalistic black/brown décor (if I recall it right still), and the kind staff who seem to like their job, pull you in fairly quickly.
Giving my ticket to the attendant, I enter the main lobby: A gigantic screen that covers the whole width of the main wall, and I watch Michael Jackson trying to convince this chick next to him that the movie they are watching is actually not that scary. Ahh… Thriller is about to play. A classic. I place myself on a comfy red-round seat and relax, watching the whole music video since I spent the whole day walking. Feeling content, I walk towards my right, see a set of stairs, and walk down the stairs instead of seeing the first floor first. By the time I finish the first half of the stairs, I read the words “to those who have looked to the stars, and wondered” … I keep walking, then read, “your journey begins here”.
Ah… Infinite Worlds of Science Fiction, the other side of the door looks very dark. Here we go!…? I walk around in an atmosphere that is similar to the inside of a spaceship that is in power saving mode, of course (meaning, there were very minimal lighting across all platforms). The exhibit is home to illustrations and texts written by the authors of Sci-Fi legends as well as iconic pieces from their on-screen adaptations. The pieces are from many stories we are familiar with, such as the Star Wars series, Star Trek series, the Fifth Element (1997), Dune (1965), H.G. Wells’ the War of the Worlds (2005) and the Blade Runner (1982-2017). One that stays with me the most is looking at the life-sized T-800 endoskeleton from the Terminator 2: Judgement Day (1991), it is definitely challenging to stare at the figure more than 20 seconds in the dark room even though I know there are a bunch of people walking around me. I am certain if I stared at it long enough, I would be able to see its red eyes moving, not to mention that the Terminator was a childhood nightmare as it was one of my parents’ favorite movie. I am surprisingly relieved as I take a couple more steps to my right to see Arnold Schwarzenegger’s leather jacket, right next to the T-800.
The exhibit revolves around the idea that the initial purpose of the Sci-Fi worlds is to let the author express himself bluntly through an outside world and its outsider-creatures. Through creating these worlds that seem so different than the earth, the author(s) is able to illustrate the negative aspects of humanity without offending the readers. So, all the disgusting aliens that we read about… actually, mirror us.
Although seeing the familiar pieces and being able to read the progression of the stories through the personal notes of the author’s had been more than enough for me, the interactive component of the exhibit is also valuable to the experience. I was able to choose any imaginary planet from the Sci-Fi world and examine a holographic vision of it 360 degrees all around, I also explored what it felt like to be sitting inside a spaceship, staring at the zillion buttons I would not know what to do with.
Wishing the Infinite Worlds exhibit had more pieces to observe, I walk away feeling content. I try to find my way around the building until I come across a gigantic wooden door. I read the text that has the very same font as a childhood book of Snow White I can easily recall: “What awaits you on the other side of the door? An enchanting forest. A sleeping dragon. A silver-scaled tree. A giant dragonfly. Unlikely heroes and dark forces.” Oh, that feels home! I realize that I make it to the exhibit, Fantasy: Worlds of Myth and Magic.
Before seeing all the pieces from the movies, I adore, I read through the Archetypes of Fantasy. Later along the exhibit, I realize how useful knowing the archetypes is to deeply understand the components of a story of magic. The archetypes form the pieces of the puzzle that create the riveting story. The Unlikely Hero? Ronald Weasley? Yes, sounds about right! The atmosphere in the exhibit feels right in all the ways possible. A sound effect that reminds me of magic, almost like stars shining and birds chirping at the same time, and subtle lighting that reminds me of a thousand candles being lit, creating space for me to stare at a witches’ ball on a corner of the room.
Moreover, the exhibit contains props, costumes and figures from our silver screen favourites such as the Princess Bride (1987), Conan the Destroyer (1985), Harry Potter (1997-2017), the Lord of the Rings (2001-2003), Narnia, the Legend of Zelda (1986-2018) and a favourite of my best friends—an ancient copy (1974, to be exact) of the iconic game, Dungeons and Dragons!
A favorite moment is seeing Judy Garland’s iconic costume from the Wizard of Oz. Ah, and the black pointy hat that melted right after Garland poured a big bucket of water on the green lady… that was there too! The lady? She was the wicked witch. What a moment of joy seeing Garland beat her up (theoretically, with a bucket of water), and she was able to go back home, to Kansas. I remember watching the very same movie at the age of 5-6 at my grandmother’s house. It was the only movie that would play constantly in one of the channels. Wouldn’t matter the time you turn the TV on, the Wizard of Oz would always be airing. You see it was like Netflix without the choice click cancel, and I would watch it over and over and over again.
Another highlight of the exhibit, again, is seeing the creative process of the authors. A book series that I enjoyed as a 13-year-old middle schooler was the great story of Eragon. I’ve read about the author still being a teenager when he wrote the books, but I never imagined him being 15 years-old. The exhibit shows hand-written notes of Paolini as well as a selection of edits from his publisher. It was a privilege to be able to observe the text so clearly and closely and become a part of the artistic process.
I walk out of the same wooden door. I am sure there is a proper way to exit, but I really want to go through the door again, taking me back to the world without magic. I leave, with my heart feeling full.
I would recommend visiting the MoPOP to all ages (with a parent’s assistance for certain exhibitions) and support the museum financially if you are able to do so. My creative-self was so happy to be present in the moment surrounded by all the things that could possibly inspire me the most. I hope to go back for a longer visit and experience this all again. I was also able to see the Marvel Exhibit, that was extraordinary, and it would require me to write another blog post for such a well-presented exhibit. Let me know if you would like to read about it, and comment below if you have any questions about your upcoming MoPOP visit!