Tag Archives: academy awards

The Age of Streaming Services: Then, Now, and Beyond [Exclusive Interview Inside]

Previously published on The Artifice.

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SOURCE: Vidooly

“My family are huge TV watchers. We will, unfortunately, subscribe to everything”, states an anonymous comment made by a viewer in a public survey.* It is common to feel impotent towards new movies and tv shows releasing online every week. The Internet made content accessible for the public, but the catch is that the viewers feel the need to keep up with it all both financially and otherwise.

Streaming is replacing the beloved TV in the average household. Whether it is Netflix, Hulu, or Amazon Prime, (or all three!), there is a guest in the house who will literally cut the cable, and, it may be here to stay. So, how did the average consumer welcome streaming without a visible transition? It started with a live internet video by some tech company nerds in 1993. It was a poor attempt that used up half of the available bandwidth of the entire internet. In 1994, the New York Times referred to the Rolling Stones as “the first [major] rock band in cyberspace” to promote their music to millions of streamers. As you can imagine, there was some controversy about who was first and what should’ve been written in Rolling Stones’ press releases. Fast forward to 2005, Saturday Night Live (SNL) released its first video short on Youtube, right around the time that the service started becoming popular. In 2007, Netflix (NFLX), previously known to be a mail-order service, introduced its on-demand platform and became an influencing figure as both a content-producer and provider. Today, the same company has 24 Oscar nominations (2020).

The Inevitable Death of Television

The Universal TV Problem is perhaps rooted in its adaptable nature. In the 40s, the black chunky boxes found their place in the American home and made their debut a little later internationally in the 70s. As Media Theorist Neil Postman discussed foreseeingly in the 80s, the average family (despite their income) started positioning their couches to face the television. And the television found its purpose as the entertainer, silence-filler, and now, a mere accessory.

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[Review] Noah Baumbach’s Marriage Story is set to score multiple Oscars.

Baumbach’s Marriage Story had the film festival audiences compelled before it dropped in the movie theatres and Netflix. The response of the general audience has been equally positive, Baumbach’s diligently written screenplay and picture as a whole are expected to score a number of Oscars, along with Johansson (as Nicole) and Driver’s (as Charlie) performances.

The story is about a talented couple who decides to go through a divorce. How does divorce make such compelling screenplay? It seems to happen instantly when the audience realizes that Charlie wants to continue living in New York for his theatre company, and Nicole desires to relaunch her once-alive Hollywood career in Los Angeles. The film is about existing together as a couple and having the freedom to occupy individual spaces. It is about sharing a living and having a special space that is your own.

As the theme settles into the film heavily when Nicole moves to Los Angeles with their son, Baumbach builds his climax on this new life by channeling how this move affects Charlie. The couple initially to agree to go through a divorce without lawyers, in the hopes that they will remain friends. However, the affair of Charlie likely changes the direction of the events; as a result, lawyers are involved and things get nasty. Initially, the blocks are meant to sit in an unusual way, representing a happy divorce. As the events shift, the audience sees the blocks fitting just right. In a particular scene, Charlie tells Nicole he wishes she was dead, reflecting both love and hate at the same time and revealing the beautiful toxicity of the relationship as Nicole hugs him. Continue reading