[Review] The Lion King: How Simba Changed the Fate of Disney’s Live-Action Remakes 

In case you live in a cave and did not notice—Disney is on a roll with the live-action remakes of our favorite stories. It all started with Alice in Wonderland (2010) which had its strong cast bring over a billion to Disney’s thick wallet, entered a decline phase with The Jungle Book (2016) due to its odd tone and mixed reviews, and in my personal opinion, Disney hit rock bottom with poor casting and several other issues by releasing Beauty and the Beast (2017) and Aladdin (2019)The Lion King (2019) directed and produced by Jon Favreau, however, helped Disney’s magic to reach our hearts, again, just like the 90s. Here, I will explain how Disney finally stopped failing the audiences.

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Realism. Once I wiped off my tears coming out of the theatre, I decided to pay my respects to The Lion King (1994) at home and figure out why this animated documentary-like feature film worked so well. The first thing I noticed was Favreau’s attention to detail, and I assure you, he made sure we, as the audience knew about this. Favreau spent valuable effort to walk us through our surroundings, identify the appearance of species of all kinds, and appreciate one of the best (and likely leading) Virtual Reality production techniques within the film industry. Compared to the 1994 version, I could easily appreciate the 2019 feature for its identical yet heightened visuals. As Favreau explains, realism is what makes the film so unique. Ironically, it also produces the magic the previous films missed.

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Music. Better yet, the voice actors have done exceptional work: Donald Glover (AKA Childish Gambino) gave us the hurt and careless Simba at the same time. Chiwetel Ejiofor’s vocals (as Scar) were the closest thing to a brilliant Broadway performance. But, the real star in the voice work was Seth Rogen who made us all adore a warthog. Despite the never-ending coverage about Beyoncé’s casting on top of her new album inspired by The Lion King, her voice did not shine in the production. I think we are so used to hearing Beyoncé’s strong vocals that Disney music seemed a bit toned down for her vocals. Nonetheless, Favreau managed to awkwardly insert a short section of Beyoncé’s new original, “Spirit” in the film. If you catch the scene, I am sure you will agree that it just seems like a poor editing job rather than an integral part of the movie. Continue reading “[Review] The Lion King: How Simba Changed the Fate of Disney’s Live-Action Remakes “

May 2019 Book, TV & Film Roundup

Welcome to the first Roundup of Hazal’s Camera. I’ll try to keep this as a monthly ritual. Let’s dive in.

 

The month of May can only be described as a blessing and a curse. I finalized an intense period of summer courses, followed by an intense period of free time. The North American culture subtly rewrites your DNA and convinces you that you need to be busy all the damn time. So, my free time called for a lot of binge-watching, and it was beautiful.

Let’s start the roundup with books, shall we? I promised myself that I would be reading one book a month. The apple era took this pleasant activity away, and my thesis research gave it back to me. I started with Tom Hanks’ Uncommon Type (2017). It was my every bus read from school or internship. It became my companion when I laid down on the grass. It had many stories that literally pulled you in, and some that didn’t but nonetheless, it is was a nice companion for May.

In the TV zone— I started with Defenders (2017) hoping that I could revisit my love for the series Jessica Jones but definitely loved the plot despite the fact that it mainly revolved around the Iron Fist. Next, I went through a series of emotions watching Jane the Virgin (2014-). It is definitely a cheesy romance show or “telenovela”. I regretted wasting the vast of the plot away all so quickly once I found out that the series was set to finish this year. I honestly loved this show. I guess I am a hopeless romantic, after all.

None of the film productions really wowed me this month. I watched the live action Aladdin (2019), it had a couple problematic representation patterns. In fact, they weren’t problematic, but rather, clearly wrong. I won’t get into it again in this post, but you can see my full review here. Next, much anticipated (and advertised) Extremely Wicked, Shockingly Evil and Vile (2019). I watched the film on the first day of release. I am one of those young adults who watched Zac Efron in chick flick blockbusters in the past, but his portrayal of Ted Bundy really wowed me. The film did not though, and I will explain why. Finally, I watched what seems to be Jon Favreau’s passion project Chef (2014). Sadly predictable, and an okay movie. Continue reading “May 2019 Book, TV & Film Roundup”