May 2019 Book, TV & Film Roundup

Welcome to the first Roundup of Hazal’s Camera. I’ll try to keep this as a monthly ritual. Let’s dive in.

 

The month of May can only be described as a blessing and a curse. I finalized an intense period of summer courses, followed by an intense period of free time. The North American culture subtly rewrites your DNA and convinces you that you need to be busy all the damn time. So, my free time called for a lot of binge-watching, and it was beautiful.

Let’s start the roundup with books, shall we? I promised myself that I would be reading one book a month. The apple era took this pleasant activity away, and my thesis research gave it back to me. I started with Tom Hanks’ Uncommon Type (2017). It was my every bus read from school or internship. It became my companion when I laid down on the grass. It had many stories that literally pulled you in, and some that didn’t but nonetheless, it is was a nice companion for May.

In the TV zone— I started with Defenders (2017) hoping that I could revisit my love for the series Jessica Jones but definitely loved the plot despite the fact that it mainly revolved around the Iron Fist. Next, I went through a series of emotions watching Jane the Virgin (2014-). It is definitely a cheesy romance show or “telenovela”. I regretted wasting the vast of the plot away all so quickly once I found out that the series was set to finish this year. I honestly loved this show. I guess I am a hopeless romantic, after all.

None of the film productions really wowed me this month. I watched the live action Aladdin (2019), it had a couple problematic representation patterns. In fact, they weren’t problematic, but rather, clearly wrong. I won’t get into it again in this post, but you can see my full review here. Next, much anticipated (and advertised) Extremely Wicked, Shockingly Evil and Vile (2019). I watched the film on the first day of release. I am one of those young adults who watched Zac Efron in chick flick blockbusters in the past, but his portrayal of Ted Bundy really wowed me. The film did not though, and I will explain why. Finally, I watched what seems to be Jon Favreau’s passion project Chef (2014). Sadly predictable, and an okay movie. Continue reading “May 2019 Book, TV & Film Roundup”

The Streaming Wars: Disney+ to dominate all

 

Disney-Logo-1050x696
Photo credits: Techcrunch.com

 

From Snow White to Iron Man, Star Wars to the Monster’s Inc., there is something for everyone in Disney’s World. The small yet iconic Mickey Mouse has been taking over the well-established characters of the film industry for a while now. Not many of us know the end goal but let me walk you through Walt’s direction that brought back an old trick: Disney+

Prior to his great success—Walt Disney was interested in TV due to its ability to increase the visual appeal of Disney products, and this was the most-influential post-war decision in the American culture, that encompassed the consumer through “total merchandising”. Later, Disney signed an agreement with ABC. The Disneyland tv show elaborated to the economic transformation of the company. In the time span of a year, Disney attracted half of ABC’s ad bills, and ABC had to operate at loss. Disney’s contract with ABC was an opportunity to capitalize on the studio’s library of films.

Disney’s textuality outset was indifferent from the traditional approach it fragmented, propelled and guided the viewer away from the TV episodes, but guided them to a more persuasive text that encouraged further consumption.

Flash forward to 2019— Disney officially owns the following studios (entirely or more than %49 ownership) ESPN, Touchstone Pictures, Marvel, Lucasfilm, A&E, The History Channel, Lifetime. The studio ownerships, film productions, and finally… the transformed TV era plans come back with the birth of online streaming. Disney+ is ready to dominate your screens.

Disney + is set to launch on November 12, 2019. The cost will be $6.99 a month, or $69.99 for a whole year. Can’t we all expect chaos in the Netflix office already? With their monthly price at a double rate, there will be competitive changes to be made. Or not? We shall see. Other streaming services owned by Disney, Hulu and ESPN Plus – will run on the same platform, will likely require separate subscriptions.

What shows are on the agenda? (Hat tip to CNN Business).

Live Action Series
High School Musical: The Musical: The Series (available at launch)
The Mandalorian (available at launch)
Diary of a Female President (launching in year one)
The Falcon and the Winter Soldier (launching in year one)
Loki (launching in year two)
Untitled Cassian Andor Series (launching in year two)
WandaVision (launching in year two)

Animated Series & Shorts
Forky Asks a Question (available at launch)
SparkShorts (available at launch)
Lamp Life (launching in year one)
Monsters at Work (launching in year one)
Star Wars: The Clone Wars (launching in year one)
Marvel’s What If…? (launching in year one)

A Bonus: The Simpsons announced their partnership with Disney+ by saluting their corporate overlords just yesterday.

New deals, new franchises, new streaming outlet… where does it all lead?
Luckily, the end goal remains the same. Walt Disney Corporations is not taking over the world (yet). But they continue to build on the plan to make the theme parks more profitable through TV… ehem, I mean streaming services!

Disney recently made $2 billion investment to its theme parks. The Secret Life of Pets is getting a theme park ride at Universal Hollywood (expected 2020), “Star Wars Galaxy’s Edge” theme park is set to open in 2019, “Guardians of the Galaxy Blast In” comes in 2021.

Disney Corporate must be expecting new profits through its streaming service that will continuously drive fans to the theme parks. It worked in the ’50s, why not now? After all, don’t we all want to live a little magic?

Works Cited/Further Reading
Disneyland (1993) by Christopher Anderson