September 2019 Book, TV, and Film Roundup

As October is welcomed with its sweet rainy weather, I cozied up at home drinking coffee and watching films. Hence, this roundup is a longer one. Before you get reading, I just want to mention that I may have to stop writing the roundups for the next few months. I am getting closer to my highly anticipated graduation and things have been busy in a nice way. I will, however, keep writing reviews for individual intermedia products that I like.

If you like reading posts like this one, consider getting me a coffee here. I write a lot faster with caffeine.

The Shelf

51F1J5QRFFL._SX305_BO1,204,203,200_

Amusing Ourselves to Death (1985) by Neil Postman

I have read snippets of Postman’s Amusing Ourselves to Death numerous times for classes throughout the university. I never had the chance to read the full book until I came across it in a second-hand bookstore this summer. It is a foundational book from Postman, the media theorist, and educator, that takes both Orwell and Huxley’s predictions about the techno-future and shows them under a clear lens for our eyes.

Part I sets up the importance of epistemology; in other words, the information about how media come to our lives is just as important as how we engage with it. There is invaluable information about the history of typography here. Postman wants to make sure we know the difference between how things were, and how things are. While we retained important information then, we get trivial knowledge that is worthy of a few quick seconds now. Hence, the news does not mean anything; people die on TV, and we get over it. In Part II, Postman digs deeper into the social components of our lives and how they are represented on TV. He talks about religious shows that are drained out of their spirituality to entertain a wider audience and keep their attention for long periods, too. He, then, talks about politicians as actors on TV and strongly despises it. He argues, TV strips the political content out of its history and ideology. Lastly, he argues that TV as an education gadget cannot work simply because it lacks interaction. When education becomes an entertainment toy, it stops educating.

In the final chapter, Postman decides it is time we stop flipping the pages and gives us the answer to the following question: Who is prepared to take arms against a sea of amusements? He does not suggest we eliminate TVs altogether, but de-mythologize them, break them apart and be aware of their purpose as the amusement objects that they are. This book is one that needs to be read a few times because of its information-heavy nature. It is, in fact, a holy book for anyone interested in media.

The Small Screen

image-2-580x327.png

Great News (2017-2018)

This is a very sweet, sweet sitcom that I came to love. I eventually clicked play simply because I was hoping to get a somewhat realistic look into a newsroom setting. I did not binge-watch the whole thing at one sit, but I could easily see myself doing that, too. The story seems to be about Katie but truly, it is about her relationship with her mother (Carol). Carol decides it is time for her to follow her dreams and starts going to journalism school while interning at the newsroom. The series tackles the workplace dynamics, power structure, and also the patterns of Katie and Carol’s mother-daughter relationship and how this looks within a workplace setting.

Season One mainly deals with Katie’s dilemma about having her mom around. We get to know all of the characters and decide who we like and who we probably won’t within the coming seasons. It is set up very well. On the other hand, what drives the story of Great News is the mother-daughter relationship, which actually may choke you up quite a lot (especially in the first season). In season two, we realize that Katie may have a love interest: Greg, the British producer. With that, there are numerous awkward scenes and anticipation that one of them will open up. Another bonus in season two is the guest appearance of the brilliant Tina Fey. Let me stop before I give too much away– in summary, this is a cute show to cheer you up but you may be sad to know that it is not cleared for another season with Netflix.

The Big Screen

 

rambov

Rambo: Last Blood (2019)

With its significantly larger budget of $50 million, Rambo could not attract enough viewers to fill the theatre seats (Box Office $60.3M). The question of whether Sylvester Stallone will retire from playing Rambo flew around for years. However, the vague interest wasn’t enough to find Rambo appealing once he was out of the war zone, as seen in Last Blood.

Why was Rambo simply bad? The legendary Stallone’s acting was not enough to hold a poor screenplay together. The screenplay of the fifth Rambo film has been a hot topic of Stallone’s interviews in 2018. Morrell and Stallone previously worked together on a soulful story for this last journey. Little did they know that the producers would prefer going with the version we saw on screen today. Hence, the human trafficking plot resulted in Stallone announcing his retirement from playing Rambo. You can read more about Morrel’s interview on the topic here. Continue reading “September 2019 Book, TV, and Film Roundup”

June 2019 Book, TV & Film Roundup

0117500a-dccc-4673-b672-b37f9f7408ea

June was a quiet month for screen exposure. Well, at least the second half of it. I have a special someone visiting me so, I assure you that there will not be any complaining. This also makes up my much-needed excuse for posting a June roundup on the second day of June, rather than the first of it. While I thought these roundups would keep the blog alive when I did not know what to write about, I also realize now that they also keep me somewhat accountable. I love deadlines. I am past my deadline. Well, let’s talk about all the great things in life. Books, TV, and film. Here we go.

The Shelf

I have been mainly busy with reading research articles, extending my own research article, and editing my thesis. I managed to get my hands on a second-hand copy of Syd Field’s Screenplay: The Foundations of Screenwriting (2005). It is an excellent read that is beyond a “how-to” book so far. I never got to finish it so, I’ll postpone the review to the next round up. What I did finish though, is Ta-Nehisi Coates’ take on Black Panther, A Nation Under Our Feet (2016).

 

51hkuJy3K6L
All images belong to the rightful owners.

 

Black Panther: A Nation Under Our Feet (2016) By Ta-Nehisi Coates

I remember reading an article by the ex-Atlantic journalist, Ta-Nehisi Coates prior to making the decision of picking up this comic book (Note that I have not read his take on Captain America, yet). The article talks about the mixed-feelings of producing a story that has been created by a predominantly White team of comic producers, Coates finding his purpose through taking the challenge, playing with a new voice and potentially making that voice sound better for many. I was curious to see how Coates re-introduced the previously primitive Black Panther (see, Fantastic Four #52) and whether the same criticisms made for the movie (2018) could also be traced back to this comic. Coates’ Black Panther actually received all of those criticisms in the comic itself: T’Challa was selfish, he was not heard by his nation, and he, perhaps, hurt his nation because he saw them as a burden rather than an honor.

The main plot revolves around the people of Wakanda attacking their own King. On the surface, they are controlled by a woman with supernatural abilities, however, Coates’ sets up the greater problem underneath, that is caused by the heaviness of T’Challa’s crown. While the enemies plot against overthrowing T’Challa, he fears his greatest challenge of failing Wakanda. Coates’ way of telling this story is beautifully poetic, complex, and one that houses an interplay of many messages. His take of the Black Panther is not actually a book of physical war but the fearful war within the King. It is nowhere close to a primitive representation, but psychological warfare that pushes T’Challa for reconsidering his ideology. It is Black Panther refreshed, yet not one that forgets history. I suggest you get your hands on it and read it. Then, read it again to truly appreciate the story behind every word.

The Small Screen

 

AAAABaW2TjgznhnN10U7HMeovYEdOX9KzAfqwCpAFQfOmqRl-32T_xtSx7BOfhUsI5I33RFJmEO_1pv8HRYSlNrLCPQF4ZN6uW-bZr8Wc-IkyDAQuObx0U99
All images belong to the rightful owners.

 

How to Sell Drugs Online (Fast) (2019)

I don’t know why I will stamp this show as mediocre yet but… I will anyway. Netflix caught me on its main page trap when the show was first released, I did not have anything to watch at some stressed point in my life and pressed play. I did not binge watch this show, rather, went back to it whenever I was desperate. Don’t get me wrong, it is wasn’t a bad show per se. It was just a real-life, coming of age story that had minimal sickening events (see, episode 8… I think), and not so sickening references to the dark web (I was forced to watch a YouTube video talking about the dark web so, I hate talking about the dark web).

The plot is about Moritz, whose girlfriend just got back from an exchange program from the US and questions the meaning of life (thanks to the drugs, hence the title of the show). So, Moritz decides to sell drugs to win her back and surprisingly makes a lot of money to fuel his greed. I don’t think the growth of Moritz’ online drug business is so typical, but the show accurately represents the German young-adult culture and the effects of the wide use of drugs. The show also deserves an A+ for its use of simplistic cinematography and tech-inspired graphic components. Overall, is it a waste of time? No. Is it an amazing show? No. Continue reading “June 2019 Book, TV & Film Roundup”

May 2019 Book, TV & Film Roundup

Welcome to the first Roundup of Hazal’s Camera. I’ll try to keep this as a monthly ritual. Let’s dive in.

 

The month of May can only be described as a blessing and a curse. I finalized an intense period of summer courses, followed by an intense period of free time. The North American culture subtly rewrites your DNA and convinces you that you need to be busy all the damn time. So, my free time called for a lot of binge-watching, and it was beautiful.

Let’s start the roundup with books, shall we? I promised myself that I would be reading one book a month. The apple era took this pleasant activity away, and my thesis research gave it back to me. I started with Tom Hanks’ Uncommon Type (2017). It was my every bus read from school or internship. It became my companion when I laid down on the grass. It had many stories that literally pulled you in, and some that didn’t but nonetheless, it is was a nice companion for May.

In the TV zone— I started with Defenders (2017) hoping that I could revisit my love for the series Jessica Jones but definitely loved the plot despite the fact that it mainly revolved around the Iron Fist. Next, I went through a series of emotions watching Jane the Virgin (2014-). It is definitely a cheesy romance show or “telenovela”. I regretted wasting the vast of the plot away all so quickly once I found out that the series was set to finish this year. I honestly loved this show. I guess I am a hopeless romantic, after all.

None of the film productions really wowed me this month. I watched the live action Aladdin (2019), it had a couple problematic representation patterns. In fact, they weren’t problematic, but rather, clearly wrong. I won’t get into it again in this post, but you can see my full review here. Next, much anticipated (and advertised) Extremely Wicked, Shockingly Evil and Vile (2019). I watched the film on the first day of release. I am one of those young adults who watched Zac Efron in chick flick blockbusters in the past, but his portrayal of Ted Bundy really wowed me. The film did not though, and I will explain why. Finally, I watched what seems to be Jon Favreau’s passion project Chef (2014). Sadly predictable, and an okay movie. Continue reading “May 2019 Book, TV & Film Roundup”