[A Review] How to Recover After Avengers: Endgame

The following review is spoiler-free, but my comments may get you thinking about possibilities, I suppose. Read at your own risk.

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Patiently sitting through the end credits, being handed over tissues, sobbing a little more, waiting for the post-credit scene that I know is, definitely, not happening.  I wish I hadn’t seen the movie for a while longer.

Avengers: Endgame is Russo Brothers’ best work yet. A majority of the viewers would agree that we were heartbroken, but not disappointed. Marvel Studios have given us what we asked for: The end of a hero’s journey. So gracefully representing what it means to be a hero: Selfless and brave, as mythic as it can be, but also vulnerable and honest about their fears.  There is also a touch of Disney’s magic as the movie drove the overall notion, “I will die trying if it means I am serving the ones I love”.

Endgame completes the Infinity War, yet, is a distinct, special, emotionally-charged experience. In a way, it puts more sense into the rollercoaster ride of the Infinity War. The three hours are absolutely made use of, well-transitioned, and necessary to unravel the narrative.

The film does a good job of digging deeper into character development which is so different from what we are used to within the origin stories and follow-ups. Our superheroes change, they are broken, and finding their way back doesn’t necessarily mean they’ll showcase their punches and kicks, but rather it is a journey that almost fixes their brokenness, and gives us, the viewers, some relief at the same time.

There’s so much more I would like to address in terms of cinematography and representation, however, I’ll let this experience sink in a little more until I get to it. And the question of how to recover after the Endgame? –I suggest appreciating what the franchise had given us for the past 10 years and the Endgame experience as a whole. Keep in mind, the MCU has a history of great resurrection and we could only hope for one last one.

This may be my love letter (back) to Lee, Feige, The Russo’s, Favreau and Downey. Thank you for gracefully fixing our broken parts. I cannot see the Endgame projected onto the screens any other way.

Lee’s Legacy and Feige’s Vision Hits the Box Offices: Captain Marvel

The following article was first published on Mars’ Hill Newspaper (Vol. 23, Issue 10) under the title of “Captain Marvel”.

Captain Marvel just dropped into the theatres of the earth from the Kree Empire. Mind you, she is from the 90s—so get ready for the nostalgia-packed soundtrack while you watch Brie Larson kick ass!

Since its opening night March 7th, Marvel’s newest release, Captain Marvel, has received a variety of criticism. Some say she is the embodiment of a male prototype in a desirable female body, others claim Carol is the superhero they never knew they needed more of on the silver screen, especially after the debut of Wonder Woman.

The mastermind Kevin Feige, whose vision built the Marvel Studios from ground up (thanks to Iron Man!), spent a budget of $152 million on Captain Marvel’s production and doubled the studio’s profit with a record-breaking $455 million worldwide in its first weekend. This is a grossing more than the totals of any three-day opening of a motion picture this year.

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There is a question worth answering: To what does Captain Marvel owe its success?

Unlike Stan Lee’s legacy of comic book inspired continuity, Captain Marvel welcomes newcomers with Carol’s origin story and doubles that with cues about Fury’s past as well. On top of the complexity of his character, the young Samuel L. Jackson is a delight to watch on screen (thanks to the blockbuster’s make-up artists!). Even though Fury is not the tough authority figure we are used to seeing as the leader of the S.H.I.E.L.D., he still plays a crucial role in stirring the storyline, and he is a living reminder that the actor has a huge role in creating a legendary character.

A common criticism and a generalization was that Carol Danvers, and the rest of the female superheroes, were created on the basis of “girl power” and while doing so, the character was still masculinized. Masculinization might be a way to empower female superheroes, but it is definitely not the only way. I see Marvel’s Carol Danvers as a success because as powerful as she is, she is also emotional. She is a woman who is confused about her past, where she stands in a fight, and what she believes is right. Through her journey of self-connection, she navigates her confusion about what she stands for, and she regains her faith in her own strength. She is a powerful embodiment of what women go through today. Brie Larson’s character certainly does not deserve the harsh criticism she received upon the opening weekend.

Captain Marvel is also the Marvel Cinematic Universe’s response to the demands of the public. We are more concerned about diversity than ever in an era that grounds itself on acceptance. Whatever the reason may be, be it for publicity or expanding their audience, the women in Captain Marvel are fully-clothed, colorful, and beautiful yet vulnerable. These are the stepping stones for a long-awaited perception change for Marvel’s cinematic audience, and we are excited and in it for the long haul.

 

Captain Marvel Doodle: Thanks to Sierra Ellis.

Spiders on the Silver Screen: Venom and Into the Spider-Verse

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Venom

Rating: 8/10

Tom Hardy’s performance is so powerful in Sony’s Venom that it almost makes you overlook the other half of Eddie Brock (Hardy), the much anticipated, and animated Venom. Hardy’s performance is almost too good! At times it is tough for his character to blend in with the storyline that is running ahead of him.

Moreover, you can tell that Director Ruben Fleischer is meant to work on the film if we reference his previous work with Zombieland (1 and 2), the Gangster Squad. Fleischer takes the film to a different level which I am still uncertain if I really like. Venom is one of the tougher Marvel comics to present on the big screen—Portraying the corky/laid-back (Wait. Deadpool, is that you?) journalist and an alien that acts like He’s from a horror movie housed on the same body –in somewhat of harmony— is tough business. 

Venom is definitely different (and better) than your typical superhero action movie. The movie could pass as an intense thriller with numerous slapstick scenes here and there, which resembles Fleischer’s work as a director. Overall, it is a uniquely (take the word as you wish) directed film with an excellent performance from Hardy. I would not have given Venom such a high rating if it wasn’t for the actor’s performance.

 

 

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Spider-Man: Into the Spider-Verse

Rating: 7/10

The production quality of the Spider-Man: Into the Spider-Verse screams so much more than the movie itself. The visuals are vibrant, captivating, and different in such a good way. Hats off to the animators for showing us guys the comic world through a new set of lenses—What an experience!

The representation of Miles Morales’ ethnicity is genuine and real—The choices of the soundtrack, the family dynamic and the conversations in between the characters deeply represents the world of this new teenager we are all meeting for the first time on screen. There are so many ‘yes!’ moments in the movie: Clever monologues, the representation of Peter Parker as a role model (anyone else notice the difference to the Comic Code?), an appearance of Stan Lee, and the overall message: “Anyone can be Spider-Man”. Beautiful… groundbreaking. I love it.

Why didn’t it get a 10/10 rating from me? I think featuring all the other Spider Marvel characters took the spotlight away from Miles Morales. Yes, MCU—Now that you introduced them, you have material to produce. But, could I have had some more quality screen time with Miles? Yes.