Playing God: Marvel’s The Punisher (2017)

Author: Muammer Tuncer
Editor: Hazal Senkoyuncu

 

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Visual Credit: Karina Rehrbehn (on halfnakedbanana.tumblr.com)

 

The Punisher (season 1) opens with Frank Castle’s troubled past that haunts him in his every waking moment and quickly establishes the overarching narrative of the show: Revenge. And, of course, it comes with pain.

To recap the series: Frank Castle’s family is murdered. He seeks revenge for those who are responsible for killing his family. His mission also reveals bits of his past throughout the series. While Frank is thought to be dead, Agent Madani follows Frank after spotting him on the news, spending her screen time to find the man of mystery. It is revealed later, that the murder of Frank’s family was part of a larger conspiracy, which then changes the direction of the series. This is exactly when the unstoppable action of The Punisher begins to unravel.

There are several flashbacks that play in Frank’s head: His wife and kids’ murder in front of his eyes, excerpts of Frank and his friends inside a military plane to Afghanistan, his friend Jigsaw’s betrayal. These moments build up the alter ego of a vengeful vigilante, or in Bernthal’s (who plays Castle) words, “He ain’t got a fucking cape. He ain’t got any superpowers. He [just lives in] an unbelievable world of darkness and loss and torment”. The Punisher certainly is a band-aid story. Frank cannot cure his own pain, so he numbs it. And, his substance is the vigilante work that pulls him out of the deep sadness.

Karen (Daredevil’s strong-willed blondie journalist) fights for Frank’s good intentions and truly believes in him. Her character is already established in Daredevil and the Defenders, and she continues to be the Marvel TV’s moral compass in the Punisher. Her role as the love interest and damsel in distress reprises as Jigsaw uses her in a trap to reach Frank. The scene reveals what Karen and Frank have been on the contrary: They have an unspoken, skinny love for each another.

The series revolve around the judgment of Frank the Punisher. Perhaps, he is playing God. In a world where the bad guys walk around the block swinging their arms, Frank is the justice. It would also be fair to say; Frank portrays a superhero misunderstood. He isn’t really a superhero; he is one of us. What makes him so different is his big heart, unbelievable courage, powerful character, and endurance.

Note from the Editor: This is the first collaboration featured on Hazal’s Camera. I would like to thank Muammer for jumping into writing his first review without a doubt and letting me help him in the process. While I love talking about media, I also want this website to be a platform that can house different opinions. I am looking forward to future collaborations. You can email me at hazalscamera@gmail.com with all of your ideas (travel, news, film-tv, books, personal reflections, etc.).

May 2019 Book, TV & Film Roundup

Welcome to the first Roundup of Hazal’s Camera. I’ll try to keep this as a monthly ritual. Let’s dive in.

 

The month of May can only be described as a blessing and a curse. I finalized an intense period of summer courses, followed by an intense period of free time. The North American culture subtly rewrites your DNA and convinces you that you need to be busy all the damn time. So, my free time called for a lot of binge-watching, and it was beautiful.

Let’s start the roundup with books, shall we? I promised myself that I would be reading one book a month. The apple era took this pleasant activity away, and my thesis research gave it back to me. I started with Tom Hanks’ Uncommon Type (2017). It was my every bus read from school or internship. It became my companion when I laid down on the grass. It had many stories that literally pulled you in, and some that didn’t but nonetheless, it is was a nice companion for May.

In the TV zone— I started with Defenders (2017) hoping that I could revisit my love for the series Jessica Jones but definitely loved the plot despite the fact that it mainly revolved around the Iron Fist. Next, I went through a series of emotions watching Jane the Virgin (2014-). It is definitely a cheesy romance show or “telenovela”. I regretted wasting the vast of the plot away all so quickly once I found out that the series was set to finish this year. I honestly loved this show. I guess I am a hopeless romantic, after all.

None of the film productions really wowed me this month. I watched the live action Aladdin (2019), it had a couple problematic representation patterns. In fact, they weren’t problematic, but rather, clearly wrong. I won’t get into it again in this post, but you can see my full review here. Next, much anticipated (and advertised) Extremely Wicked, Shockingly Evil and Vile (2019). I watched the film on the first day of release. I am one of those young adults who watched Zac Efron in chick flick blockbusters in the past, but his portrayal of Ted Bundy really wowed me. The film did not though, and I will explain why. Finally, I watched what seems to be Jon Favreau’s passion project Chef (2014). Sadly predictable, and an okay movie. Continue reading “May 2019 Book, TV & Film Roundup”

Spiders on the Silver Screen: Venom and Into the Spider-Verse

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Venom

Rating: 8/10

Tom Hardy’s performance is so powerful in Sony’s Venom that it almost makes you overlook the other half of Eddie Brock (Hardy), the much anticipated, and animated Venom. Hardy’s performance is almost too good! At times it is tough for his character to blend in with the storyline that is running ahead of him.

Moreover, you can tell that Director Ruben Fleischer is meant to work on the film if we reference his previous work with Zombieland (1 and 2), the Gangster Squad. Fleischer takes the film to a different level which I am still uncertain if I really like. Venom is one of the tougher Marvel comics to present on the big screen—Portraying the corky/laid-back (Wait. Deadpool, is that you?) journalist and an alien that acts like He’s from a horror movie housed on the same body –in somewhat of harmony— is tough business. 

Venom is definitely different (and better) than your typical superhero action movie. The movie could pass as an intense thriller with numerous slapstick scenes here and there, which resembles Fleischer’s work as a director. Overall, it is a uniquely (take the word as you wish) directed film with an excellent performance from Hardy. I would not have given Venom such a high rating if it wasn’t for the actor’s performance.

 

 

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Spider-Man: Into the Spider-Verse

Rating: 7/10

The production quality of the Spider-Man: Into the Spider-Verse screams so much more than the movie itself. The visuals are vibrant, captivating, and different in such a good way. Hats off to the animators for showing us guys the comic world through a new set of lenses—What an experience!

The representation of Miles Morales’ ethnicity is genuine and real—The choices of the soundtrack, the family dynamic and the conversations in between the characters deeply represents the world of this new teenager we are all meeting for the first time on screen. There are so many ‘yes!’ moments in the movie: Clever monologues, the representation of Peter Parker as a role model (anyone else notice the difference to the Comic Code?), an appearance of Stan Lee, and the overall message: “Anyone can be Spider-Man”. Beautiful… groundbreaking. I love it.

Why didn’t it get a 10/10 rating from me? I think featuring all the other Spider Marvel characters took the spotlight away from Miles Morales. Yes, MCU—Now that you introduced them, you have material to produce. But, could I have had some more quality screen time with Miles? Yes.