August 2019 Book, TV, and Film Roundup

If I didn’t mind everything to appear as orderly as they really aren’t—I would call this roundup, August: The month of half doing everything. I did not particularly go crazy about anything I watched, read, or listened this month. It was deeply saddening because it seemed like I was wasting my time while running away from wasting my time, especially in terms of my book choice, Caramelo. Next, I began watching The Protector(or ‘Hakan Muhafız’, 2018) a superhero series, but with a Turkish twist. The big screen was rather safe with a late catching up with The Lion King (2019) and a re-watch of an all-time favorite, Coco (2017), at home. I cannot recommend Coco enough; I cry every time I watch it. Lastly, The Red Sea Diving Resort(2019) was a painfully lifeless movie to watch; the plot wasn’t tragic but the movie itself was.

The Shelf

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Caramelo, Or, Puro Cuento (2002) by Sandra Cisneros

The Vancouver Public Library has an amazing system that asks about your intermedia favorites and comes up with an extensive list of books just for your taste. I was recommended this sweet book about a Mexican family that lives in Chicago. They take one of their famous trips to the awful grandmother’s house in Mexico, where the literal definition of a whole family meets every summer. The book is written from the views of Lala, the young girl who watches her mother and grandmother’s power struggle, her quiet father, funny uncles and tormentor cousins. She seems lonely and out of solutions in the middle of it all. She becomes our eyes in the family and navigates through what seems to be a map of family history and shows us why things are the way they are.

Now that you have an idea about the plot, let me tell you about all the reviews I read prior to picking up this book. The readers preach the award-winning author’s poetic way of storytelling and especially Mexican readers, state that they have found a piece of home in it. I am writing this review because I could not get past the first 150 pages of Caramelo. Cisneros is, indeed, a master of words, and you can tell that it comes easy to her. She is extremely descriptive, but it becomes overbearing and unnecessary at times; it even spoils the story. The point she is so eager to make so beautifully  becomes lost as she runs on different tangents. The chapters are very short, they can be called short stories which have a hard time to intertwine. With all due respect, I am a stranger to such a different literary approach to storytelling. I tried to love Carameloand really wanted to relate to the enthusiasm of the other readers—It did not work. Hence, I do not recommend it. If you read the book, let me know what you think below.

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Stan Lee’s Alliances: A Trick of Light (2019)by Stan Lee and Kat Rosenfield

A Trick of Light was the very first audiobook I ever listened; as you might know, I am more of a paper person. Hence, it caught me by surprise to hear Yara Shahidi’s excellent narration. Her voice is very neutral and timeless yet keeps the story exciting. It is also the door to Stan Lee’s world. In A Trick of Light, we follow the origin story of Cameron who accidentally gains super-techno-powers. He, then, meets Nia, a hacker who is overly protected by her father. They take on a journey to find what happened to Cameron’s lost father. On a side note, while the plot builds up toward a love story, we never really get one.

While Stan Lee’s brand is within this book, I have a bit of a hard time believing he has more than a small touch on the details. I believe the story is very timeless because it embodies the long for human connection in an internet-connected world. However, it does not go very far from Ernest Cline’s book that inspired Spielberg’s Ready Player One(2018) in terms of setting up the story and its characters. It is very far from the Marvel plots we are used to in terms of its softer tone and action scenes. Overall, a good little book to listen to when you cannot read a better one. It is a mediocre story though, which makes me refuse to believe that Lee had much of an influence in A Trick of Light.

The Small Screen

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The Protector (2018)

Review based on the episodes 1-3

Before I dive into this review, I want to remind you, the new readers, that I grew up watching Turkish tv series. If you are one of the viewers who watched The Protector  with a dub, now you know that it is produced and filmed in Turkey. I find this bit of information very important because while there is an Oriental feel to The Protector, the Netflix team was able to add a global touch to it. Or, was it Joseph Campbell? (I’ll link an article here about The Hero’s Journey if you haven’t heard about it yet. In essence, it is a global approach to myth-building). Continue reading “August 2019 Book, TV, and Film Roundup”

July 2019 Book, TV and Film Roundup

Happy August 1st, AKA Spider-Man Day!

Now that July is gone with the wind, here is what went down: My screen exposure was higher than ever, hat tip to the Apple screen time(r) (I love to hate you). Unexpectedly though, this did not result in an increased number of reviews for this roundup. I spent most of my time watching Jessica Jones (2019), Season 3. I waited about two weeks to start the series… with hopes to delay the binge-watching, and the sadness caused by my favorite show wrapping up. Krysten Ritter nailed this season in so many levels, which I will expand on below. I saw Spider-Man Far From Home (2019) as soon as it came out. It put mind to rest after the destruction that the Endgame (2019) left and it reaffirmed Marvel’s well-thought creative decision about the rise of Spider-Man on our screens. I apologize for not having a review for The Lion King (2019). I promise it is in the works, and I will publish it separately. As I mentioned in my June roundup, I read Syd Field’s The Foundations of Screenwriting (2005). An excellent book by a sweet-talking author, screenwriter, and teacher.

The Shelf

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The Foundations of Screenwriting (2005) By Syd Field

As I have been trying to find where I would fit in the film industry upon graduation, I decided to explore whether I can do what I love the most: writing. A five to eight-minute google research led me to read Quora Digest and Reddit, where internet people strictly suggest not spending money on a “how-to” book for screenwriting. They suggest scripts will give you more freedom than the twenty bucks you spend. I didn’t listen to them and bought a cheap copy of Field’s book—I did not regret it, you won’t either.

Field did not write a how-to book. His book put a combination of his memories working in the industry and his lectures in words. In fact, as you read the book, you realize Field is repeating the pivotal sentences in your head over and over again. He really is lecturing you through this book. He wants you to know the right thing, fail a couple times, and return to what he told you again (because the guy really knows what he is doing).

So, what is it that you learned, you say? To recap: Stories can be found everywhere: In a magazine, newspaper, in the people you watch. Before you write the story—know the beginning and the end. Have a clear map, and you can play with the path. You capture the story by capturing your main characters. Write a biography for them, know what they would do in certain situations. Let them drive the story forward, otherwise, they are insignificant. Have plot points that change your direction along the way but keep your map in mind. Finally, take the hard responsibility of writing despite its challenges – These important points are only to name a few.

The 300 pages or so taught me more than its worth. So, believe me, when I say it is important for you to read this book if you don’t want to lose your way. Field also talks more about self-doubt, the real deal about creativity and licensing and selling your screenplay. But, he does so in a way that feeds you information while still making you feel like you are listening to one of his greatest stories. A fast read. A must-have. A Bible.

 

The Small Screen

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Jessica Jones– Season 3 (2019)

 What a journey it has been for Jessica. In a way, it has come a full circle. During the first season, he fought a mind-controlling, rapist and psychopath, Killgrave. In my opinion, this is still the best season to date. In season two, she fought her own mother, then, came in terms with her. She saw her own mother die with a bullet in the head, shot by Trish who is also family. In particular, I did not enjoy season two a lot. I am not necessarily sure why—But a guess might be because the mother-daughter duo did not feel as organic as it maybe should have. However, now I realize that season two planted the seeds of Trish, showed us her previous battles with addiction and harassment, and her desperate need to feel empowered. In a way, season three had both Krysten Ritter (Jessica) and Rachael Taylor (Trish) share the spotlight. We didn’t see much more about Malcolm’s character development or at least it wasn’t a driver of the story for this season. We started understanding, even emphasizing with Hogarth and the loneliness that is killing her.

Continue reading “July 2019 Book, TV and Film Roundup”

June 2019 Book, TV & Film Roundup

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June was a quiet month for screen exposure. Well, at least the second half of it. I have a special someone visiting me so, I assure you that there will not be any complaining. This also makes up my much-needed excuse for posting a June roundup on the second day of June, rather than the first of it. While I thought these roundups would keep the blog alive when I did not know what to write about, I also realize now that they also keep me somewhat accountable. I love deadlines. I am past my deadline. Well, let’s talk about all the great things in life. Books, TV, and film. Here we go.

The Shelf

I have been mainly busy with reading research articles, extending my own research article, and editing my thesis. I managed to get my hands on a second-hand copy of Syd Field’s Screenplay: The Foundations of Screenwriting (2005). It is an excellent read that is beyond a “how-to” book so far. I never got to finish it so, I’ll postpone the review to the next round up. What I did finish though, is Ta-Nehisi Coates’ take on Black Panther, A Nation Under Our Feet (2016).

 

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All images belong to the rightful owners.

 

Black Panther: A Nation Under Our Feet (2016) By Ta-Nehisi Coates

I remember reading an article by the ex-Atlantic journalist, Ta-Nehisi Coates prior to making the decision of picking up this comic book (Note that I have not read his take on Captain America, yet). The article talks about the mixed-feelings of producing a story that has been created by a predominantly White team of comic producers, Coates finding his purpose through taking the challenge, playing with a new voice and potentially making that voice sound better for many. I was curious to see how Coates re-introduced the previously primitive Black Panther (see, Fantastic Four #52) and whether the same criticisms made for the movie (2018) could also be traced back to this comic. Coates’ Black Panther actually received all of those criticisms in the comic itself: T’Challa was selfish, he was not heard by his nation, and he, perhaps, hurt his nation because he saw them as a burden rather than an honor.

The main plot revolves around the people of Wakanda attacking their own King. On the surface, they are controlled by a woman with supernatural abilities, however, Coates’ sets up the greater problem underneath, that is caused by the heaviness of T’Challa’s crown. While the enemies plot against overthrowing T’Challa, he fears his greatest challenge of failing Wakanda. Coates’ way of telling this story is beautifully poetic, complex, and one that houses an interplay of many messages. His take of the Black Panther is not actually a book of physical war but the fearful war within the King. It is nowhere close to a primitive representation, but psychological warfare that pushes T’Challa for reconsidering his ideology. It is Black Panther refreshed, yet not one that forgets history. I suggest you get your hands on it and read it. Then, read it again to truly appreciate the story behind every word.

The Small Screen

 

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All images belong to the rightful owners.

 

How to Sell Drugs Online (Fast) (2019)

I don’t know why I will stamp this show as mediocre yet but… I will anyway. Netflix caught me on its main page trap when the show was first released, I did not have anything to watch at some stressed point in my life and pressed play. I did not binge watch this show, rather, went back to it whenever I was desperate. Don’t get me wrong, it is wasn’t a bad show per se. It was just a real-life, coming of age story that had minimal sickening events (see, episode 8… I think), and not so sickening references to the dark web (I was forced to watch a YouTube video talking about the dark web so, I hate talking about the dark web).

The plot is about Moritz, whose girlfriend just got back from an exchange program from the US and questions the meaning of life (thanks to the drugs, hence the title of the show). So, Moritz decides to sell drugs to win her back and surprisingly makes a lot of money to fuel his greed. I don’t think the growth of Moritz’ online drug business is so typical, but the show accurately represents the German young-adult culture and the effects of the wide use of drugs. The show also deserves an A+ for its use of simplistic cinematography and tech-inspired graphic components. Overall, is it a waste of time? No. Is it an amazing show? No. Continue reading “June 2019 Book, TV & Film Roundup”